Master the Art of Continuous Sound
Circular breathing is often viewed as a magic trick, but it is actually a highly logical coordination of physical skills. When broken down systematically, it allows you to sustain a note or play long, uninterrupted musical phrases without compromising your tone or your health.
Designed specifically for brass players, this structured video course bypasses the usual trial, error, and frustration of trying to figure out the mechanics on your own.
What’s Inside the Course:
Special Note: The course is currently available at introductory pricing until October 1st, 2026.
Circular breathing is often viewed as a magic trick, but it is actually a highly logical coordination of physical skills. When broken down systematically, it allows you to sustain a note or play long, uninterrupted musical phrases without compromising your tone or your health.
Designed specifically for brass players, this structured video course bypasses the usual trial, error, and frustration of trying to figure out the mechanics on your own.
What’s Inside the Course:
- Step-by-Step Progression: 10 concise video lessons that build methodically on one another.
- The Away-from-Instrument Method: 5 foundational coordination exercises using a simple straw, water glass, and metronome to train your muscle memory before adding the horn.
- Instrument Adaptation: Practical techniques to transition the "Cheek Pump" onto your instrument without sacrificing your embouchure stability.
- Real-World Application: Insights on how to expand your range, apply the technique to sheet music, and use it dynamically in performance—from long lyrical phrases to jazz improvisation.
Special Note: The course is currently available at introductory pricing until October 1st, 2026.
Course plan
How circular breathing works
Exercise 1: the Cheek Pump
Exercise 2: pressure control
Exercise 3: the circular breathing cycle
Exercise 4: timing the Cheek Pump & the inhale
Exercise 5: circular breathing!
Exercise 6: Cheek Pump on the instrument
Exercise 7: circular breathing on the instrument
Conclusion
Companion PDF